- Gibson les paul studio etuner faded tobacco pro#
- Gibson les paul studio etuner faded tobacco plus#
- Gibson les paul studio etuner faded tobacco series#
Gibson les paul studio etuner faded tobacco series#
The Gem Series (1996-1998) had P-90 pickups and special finishes in "gemstone" colors: Amethyst, Sapphire, Topaz, Emerald, and Ruby. The name M-III refers to the Gibson M-III model, which was a Superstrat-style guitar, for which these electronics were originally developed.
Gibson les paul studio etuner faded tobacco plus#
The pickup selector switch gave five single-coil options in the "up" position, and four humbucker combinations in the "down" position, plus an "off" position. The Studio Lite M-III was produced with a new pickup configuration: two humbuckers with a single coil in the middle.
The Lite models were produced with balsa wood (referred to as "chromyte" in advertisements) portions of the body to reduce the guitar's weight, responding to some players' complaints about the heaviness of a standard Les Paul after several hours of playing. In the mid 1990s Gibson produced the Studio Lite and Studio Lite M-III. In 2013 model year, the Studio Faded was replaced with the "LPJ" model. These models (adding worn blue and worn ebony as color choices, as well as "satin" fireburst and yellow) featured the carved maple top of other Les Paul models. In 2009, the Vintage Mahogany was renamed the Les Paul Studio Faded. It has garnered a 9.5 rating out of 10 at and a 9.4 rating out of 10 at Gibson's website product page. The model is available in worn brown and worn cherry finishes, featuring a "satin" nitrocellulose finish.
Gibson les paul studio etuner faded tobacco pro#
The Vintage Mahogany model has a carved mahogany body, top and neck, a rosewood fretboard and Alnico V BurstBucker Pro humbucker pickups, the same humbuckers used in the Les Paul Standard model. According to limited information from guitar forums, some of these had the sought-after Tim Shaw pickups.ġ996 Gibson Les Paul Studio Limited Edition Gem Series Topaz The neck profile was slim-tapered, like a Standard, and the frets were low, like a "Fretless Wonder" Custom. The fingerboard was made from rosewood on some models, ebony on others, and had mother of pearl dots for inlays, instead of the usual trapezoids. The 1984 models had two-piece tops, while 1985 models had three-piece tops. It had a mahogany neck and mahogany body with a maple top, single-ply binding around the neck and three-ply binding around the top of the body only, and gold hardware with black pickup rings and pick guard. It was introduced before the design of the Studio was finalized, and mostly had the features of a Standard with a variety of features mixed in from other models. The Studio Custom was produced in 1983-1985. One piece mahogany back, three piece maple top, maple neck, ebony fretboard rounded out the complements. It was also available in different colors, such as Cherry Sunburst, Tobacco Burst and Ferrari Red. The Studio Standard was produced from 1983-1987 and was very similar to the Studio Custom, including the "dot" inlays, but had a single-ply binding around the body and neck, chrome hardware, and white pickup rings and pick guard. The name "Studio" comes from the idea that this model would be sonically indistinguishable from a Les Paul Standard or Custom in the recording studio, and that the flashier guitars would be reserved for stage use. Initially made of alder from 1983-1985, Gibson moved back to maple top/mahogany body combination after the alder body proved prone to lacquer problems. Additionally, the body was ⅛ -1/4 inch thinner than a standard Les Paul. In order to produce a lower-cost Les Paul, features such as body binding, neck binding, and headstock inlays were not available. The Studio was designed to attract guitar players who desired traditional Les Paul sound without having to pay for cosmetic features of upscale models. Responding to a gap in their model lineup for a lower-priced Les Paul in 1983, Gibson introduced the Studio model.